Beastly Verse

Beastly Verse by JooHee Yoon

by JooHee Yoon (Enchanted Lion, 2015)

Beastly Verse by JooHee Yoon Beastly Verse by JooHee Yoon

(click to enlarge)

This book is something. A mashup of poetry and pictures, washes of color and words.

Beastly Verse by JooHee Yoon Beastly Verse by JooHee Yoon

(click to enlarge; this is an example of a spread that folds out to reveal an entirely new and more expansive illustration.)

Some thoughts from JooHee on the art and creation of Beastly Verse:

I wanted to create a book that not only tells wonderful stories, but one that is beautiful to behold. For me, the design of the book is just as important as its content; they are inseparably linked. I believe all elements of a book–its paper, binding, size and weight–create an atmosphere that plays an important role in the experience of reading.

The printing process fascinates me. Not only traditional printmaking, but also industrial processes as well, since these are just a further development of the old printmaking techniques. I have always been drawn to printmaking, and rather than mixing colors on a palette and putting them on paper, I enjoy working with flat color layers overlapping one another to create the secondary colors. My experience with printmaking informs almost all of my artwork today. I wanted to take advantage of the industrial printing process so the printer is not just reproducing the image I make, but in a sense creating the image itself.

Beastly Verse by JooHee Yoon Beastly Verse by JooHee Yoon

This book has been printed using just three colors. The areas where the main colors overlap create secondary colors, resulting in a book that seems very colorful even though only a limited palette was used. Seen alone, each layer is a meaningless collection of shapes, but when overlapped, these sets of shapes are magically transformed into the intended image. To me the process of creating these images is like doing a puzzle, figuring out what color goes where to make a readable image.

I am very inspired by books from the early 1900s – 1950, when artists were forced to work with spot colors since reproduction methods weren’t as developed as they are today. It is amazing what some artists could do with just two or three colors, and this is exactly the same process I am using, but one from choice rather than necessity. There is a luminous brilliant quality to the colors when images are reproduced this way that I love.

Beastly Verse by JooHee Yoon Beastly Verse by JooHee Yoon

(click to enlarge; this is an example of a spread that folds out to reveal an entirely new and more expansive illustration.)

It’s fascinating to pull the curtains back on an illustrator’s process, and I’m thankful to JooHee for her words here. Her explanation of something so simple, so exquisite, and so complex is as brilliant as those colors she creates.

And the book itself is definitely a work of art. Uncoated, thick pages. Slightly oversized. There’s a non-uniform feeling to the ends that isn’t quite a deckled edge, but a bit more raw and tactile. Hand-crafted almost.

Beastly Verse by JooHee Yoon

(click to enlarge)

Beastly Verse’s dedication reads simply, For the Reader.

Here, the reader is also the design enthusiast, the art collector, and the wordsmith. A book for book lovers.

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Huge thanks to Claudia Bedrick at Enchanted Lion for the images in this post. 

 

Once Upon a Cloud

Once Upon a Cloud by Claire Keane

by Claire Keane (Dial Books, 2015)

Here’s one to hand to any kid that still can’t get enough of Frozen. And when you do, give them a little wink-nudge that this book’s creator worked on what Elsa and Anna’s world looked like. And she worked on Tangled. And then they will see the lush purple cover anyway, and sometimes that’s all it takes.

Once Upon a Cloud by Claire Keane

(click to enlarge)

Meet Celeste. She wants the perfect gift for her mom. Big eyes. Big dreams. (Sweet bear expression. And do you see those little shoes she’s kicked off? Even sweeter.)

Celeste is stumped. When she’s about to fall asleep, the Wind carries her away.

She sparkles with the Stars and then meets the Moon and the Sun.

Once Upon a Cloud by Claire Keane Once Upon a Cloud by Claire Keane (click to enlarge)

There’s something musical about the pace of the pictures here. Sweeping and epic and enchanting. The colors wash over Celeste’s celestial quest, slowly spinning one into another.

And then, she’s home again. But her heart is new and her eyes are fresh, and the same things that have always been there shine a bit more than they did before once upon a cloud.

Simple in story. Arresting in art.

Once Upon a Cloud by Claire Keane

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Review copy sent by the publisher. 

Blog Tour: The Water and the Wild

The Water and the Wild by K.E. Ormsbee

by K.E. Ormsbee, illustrated by Elsa Mora (Chronicle Books, 2015)

From the publisher:

A green apple tree grows in the heart of Thirsby Square, and tangled up in its magical roots is the story of Lottie Fiske. For as long as Lottie can remember, the only people who seem to care about her are her best friend, Eliot, and the mysterious letter writer who sends her birthday gifts. But now strange things are happening on the island Lottie calls home, and Eliot’s getting sicker, with a disease the doctors have given up trying to cure. Lottie is helpless, useless, powerless—until a door opens in the apple tree. Follow Lottie down through the roots to another world in pursuit of the impossible: a cure for the incurable, a use for the useless, and protection against the pain of loss.

WaterAndTheWild_BlogTourBanner2

I’m so excited to be a stop on the blog tour celebrating the release of The Water and the Wild, which includes a chance for you to win a copy of this beautiful (literally and figuratively!) book.

First, let’s hear from K.E. herself. Welcome, K.E.!

K. E. Ormsbee

Visualizing Limn: The Real-World Inspirations Behind Lottie Fiske’s World.

In The Water and the Wild, twelve-year-old Lottie Fiske travels through the roots of an apple tree into the magic-soaked world of Limn—a land filled with bustling cities, dense woods, magical yew trees, and giant spider webs. World building Limn was one of the most fun and challenging aspects of writing The Water and the Wild, and my inspiration for the look and feel of the fantasy landscape came from very real places.

Today, I’d like to share some of those inspirations and take a moment to gush about just how perfectly artist Elsa Mora captured the magic of Limn in her cover art and illustrations.

New Kemble – York, England

I’m a huge anglophile, and one of my favorite places in all of England is York. The city is rich with layer upon layer of history, as evidenced in its walls, its giant cathedral, and its winding streets. I remember first setting foot in The Shambles and feeling certain that something ancient and magical was at work there.

When I first drafted The Water and the Wild, the story actually took place in York. Over time and a number of subsequent revisions, York became New Kemble, a fictional island town off the coast of Massachusetts. But the inspiration for New Kemble remained thoroughly English. I still envision The Barmy Badger—home of Lottie’s best friend Eliot—on a street similar to The Shambles. And Lottie’s home in the boardinghouse on Thirsby Square is based on the real St. Paul’s Square in York.

St Paul's Square - Personal Photo

Iris Gate – The Biltmore Estate

When Lottie first arrives in Limn, she stays at the home of the Wilfers—an old money family with royal connections and a fair share of secrets. The Wilfer family home is called Iris Gate, and Lottie is overwhelmed by the size and grandeur of the place. When describing Iris Gate, I tried to capture the intimidation I felt upon first walking into the Biltmore Estate in Asheville, North Carolina.

The Biltmore is an imposing mansion even to full-grown adults, and I was ten when my family visited. I remember gaping at the soaring ceilings, ornate decorations, and sprawling gardens. Though Iris Gate is nowhere near as extensive as the Biltmore, its architecture and landscaping were written to resemble that of the Biltmore Estate.

Biltmore Estate - Taken From Biltmore Official Website

Wisp Territory – Springtime in my childhood neighborhood

I grew up in Lexington, Kentucky. The city is surrounded by rolling green hills, black fences, and horse farms. It experiences four distinct seasons, and the springtimes there are lovely. In my neighborhood, there were many dogwoods, magnolias, and Bradford pear trees. When all of those trees were in bloom, white petals would blow loose into the wind, and everywhere I turned the world seemed awash in white. I called it my Warm Winter.

I never shook those springtime images, and when I was creating Wisp Territory—home to the mysterious will o’ the wisps—I wanted to convey a similar aesthetic. The world of the wisps is, by and large, colorless. The grass, the trees, and the leaves are all white. The royal home is made entirely of glass. This wintry appearance does not vary with the seasons, and it’s my homage to the Warm Winters I experienced as a kid.

* * *

Clearly, I have some very distinct ideas about how the world of Limn looks. What I was most nervous and excited about during the publication process was seeing how an artist would render a world that had for so long existed only in my imagination. As it turns out, I had absolutely nothing to worry about. When Melissa Manlove, my fabulous editor at Chronicle Books, first gave me Elsa Mora’s name, I of course went straight to Google to do some major image stalking. After only a minute, I knew I was in the best of hands.

Elsa’s papercuts are pure magic. There is so much detail, care, and whimsy in each of her creations. The cover of The Water and the Wild conveys not only the fantasticalness, but also the danger of Lottie’s journey. The way in which the characters and their natural surroundings blend so effortlessly captures my own attempt to make the world around Lottie as much a character as she is.

Inside the book, you’ll find a papercut plant accompanying each chapter heading. These illustrations reinforce the importance of the natural world throughout the book. And, you know, they just so happen to be GORGEOUS.

It’s been almost seven years since I first wrote down the image of a magical green apple tree. Now, as Lottie Fiske’s story officially hits bookshelves, I couldn’t be happier with the way that image and others came to be realized in the art and text of The Water and the Wild.

——–

If you’re anything like me, you’re dying to read more about Lottie and Limn. So! Tweet this post anyway you’d like on Twitter, and include the hashtag #dpb for a chance to win a copy! I’ll be in touch with a winner in a week.

Check out The Water and the Wild’s teacher guide here, and a sneak peek at its beginning here.

And be sure to check out tomorrow’s stop on the tour at Green Bean Teen Queen, where K.E. talks libraries!

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In

In by Nikki McClure

by Nikki McClure (Abrams, 2015)

In by Nikki McClure

This is one of those books where the cover convinces you that you’ll love it. It’s both bright and cozy. Spare and warm.

A teensy giraffe peeks out of this boy’s hiding spot and you can see its smiling face, but only eager anticipation in this boy’s eyes.

Open.

In by Nikki McClure In by Nikki McClure

This is my kind of kid. It looks like a grownup is over his shoulder, offering an open door and a pair of shoes. But he’s got a tower of bricks, a colander kingdom, and the very best pair of pajamas.

In is best.

Until out is.

In by Nikki McClure In by Nikki McClure

In by Nikki McClure

And when out is cold and wet, in you go.

In by Nikki McClure

Nikki McClure’s paper cuts are intricate and exquisite, but they are also all-embracing. Not common artwork, but a reminder of the universal comforts of childhood and play and home.

A stark black and vibrant yellow are perfect patches of color to explore these opposing wishes. They balance, they tug, and they leave enough room for us to journey with him. By day and until nightfall.

In and out.

A perfect choice to celebrate curiosity, imagination, and the way we explore our world.

Another Nikki McClure favorite is here!

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Danny

Danny by Yann and Gwendal Le Bec

by Yann and Gwendal Le Bec (Flying Eye Books, 2015)

I’m a big fan of Flying Eye Books. They put out a list that’s so unique and unusual and weird and beautiful. This guy comes out in April of this year, and I tend to not write about things before you can get them at your local bookstore or library, but I had to make an exception here. I’m eyeballing an upcoming dental appointment with cringing and gnashing of teeth. (Ha.)

But here’s a story that’s oddly comforting.

Danny by Yann and Gwendal Le Bec

Danny’s expression is so full of joy and naiveté and hope, which is hilarious. A two-toothed hippopotamus antsy for a good scrub? Even funnier. And a school of cleaner fish to get the job done? Of course!

The setup here is so weird and wonderful.

And then.

Danny overhears the cleaner fish worry he may have a lisp, on account of that massive gap in his teeth. He doesn’t, of course, but that darn dentist fish’s comment spirals him into self-doubt and worry. The snakes he turns to for comfort do agree that he speaks strangely, but Danny doesn’t know they were a terrible choice for speech comparison.

To the city.

Danny by Yann and Gwendal Le Bec

I love this spread. It reminds me of Richard Scarry or The Little House and this color palette is so perfect. The browns of the marsh yield to the yellows and oranges of the city. Danny looks comfortable up in that double decker bus but he’s obviously going to an unfamiliar place. Also, any book with a pink limousine can stick around for a while.

This lithe and lanky dentist gets right to work fitting Danny with some braces for that massive gap. (His office gear is so perfect here: funky wall art, oversized tooth models, and a bookshelf probably more for show than for reading.)

And then:

 

 

Danny by Yann and Gwendal Le Bec

Now here’s a huge shift in pacing, in main character, and in drama. And it works. Danny settles back into marsh life, the snakes assure him his speech is back to better, and the crocodile heads off to the city for his own newfangled tooth-contraption.

Except:

Danny by Yann and Gwendal Le Bec

Danny by Yann and Gwendal Le Bec

It’s a picture book about the horrors of dentistry. And not really, of course, but for a dent-o-phobe like me, this story about a tooth doctor and his comeuppance is absurdly satisfying.

Danny is not without its translation quirks, but because the French are so bizarre anyway a clunk here or there is pas trop grove. (And since I Google Translated that, mine might be a bit clunky too. No matter.)

Look for Danny. You’ll smile. But maybe try that without showing your teeth.

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Available April 2015. I received a review copy from the publisher, but all thoughts are my own.

Wonderment: The Lisbeth Zwerger Collection

Wonderment: The Lisbeth Zwerger Collection

by Lisbeth Zwerger (NorthSouth, 2014)

Happy New Year, book people! I went dark over the holidays to rewrite a draft of a novel, one I hope to be able to tell you about soon! I missed this little patch of space on the internet, and I’m excited about some new things for this blog in the coming year. But to start us off, here’s a look at a beautiful anthology published late in 2014 by one of my favorite small publishers, NorthSouth.

Truthfully, the first I heard of Lisbeth Zwerger was in this post from Brain Pickings earlier in the year. I’d barely scrolled down and was smitten with that White Rabbit’s cuffs and collar.

Wonderment: The Lisbeth Zwerger Collection

(from E.T.A. Hoffman’s The Nutcracker; click to enlarge)

This bunch represents stories from around the world, from anywhere a story for kids is revered and beloved.

There’s also a foreword by Peter Sís. He says this, which is so true and so lovely:

Her shapes and her colors are magic and inspiring. And it is so fluid. Tells so much of a story which one can only imagine.

Though not a true picture book, those words are the heart and soul of the form. And here, in these illustrated stories, you’ve probably never seen them in your heart so beautiful. It’s a fresh breath into timeless text.

Wonderment: The Lisbeth Zwerger Collection

(from Edith Nesbit’s The Deliverer’s of Their Country; click to enlarge)

Some of my favorite moments in this collection are the spot illustrations that open and close each story, anchored not by text but by the hope of some unfolding situation. The endpapers are a rich red, and the page that acts as a boundary between where one story ends and another begins is just as luxurious and saturated. The physical book is a work of art.

Wonderment: The Lisbeth Zwerger Collection (from Rudyard Kipling’s How the Camel Got His Hump; click to enlarge)

Those pages from How the Camel Got His Hump are the only places where she breaks the frame of her pictures, where she uses extra space for small works of art. Tiny snippets of story.

This is one to savor, to celebrate, and to remember. I might be a bit late to suggest her rendition of The Gift of the Magi, but it’s spectacular. Take a look.

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The Young Man Who Wouldn’t Hoe Corn

The Young Man Who Wouldn't Hoe Corn by Eric Von Schmidt

by Eric von Schmidt (Houghton Mifflin Company Boston, 1964)

Okay. It’s time for a teensy bit of name dropping. I have this cousin who is a brilliant singer and songwriter and he’s racked up a few Grammys as well. (Do you say Grammies? I don’t think so.) If you are into good, old-fashioned bluegrass and Americana, check out Jim Lauderdale. Musicians are such great storytellers, don’t you think? Sometimes I wonder if I can pack the same amount of heart and soul into a 500-word picture book that he can in a 3-minute song.

That’s partly why I was so drawn to this book, The Young Man Who Wouldn’t Hoe Corn. And that was even before I realized that there were all kinds of connections to song. That title begs to be picked and strummed, right?

The Young Man Who Wouldn't Hoe Corn by Eric Von Schmidt

I purchased this book a while back from Elwood and Eloise on Etsy. The owner, Mallory, also runs an excellent illustration blog, My Vintage Book Collection (in blog form), which is an incredible archive of gorgeous out of print materials. Thank goodness she sells some of her collection, cause I’ve added some sparkle to my own thanks to her shop. (Also, the images in this post are courtesy of her post here.)

This is the story of Jeremy Sneeze. Where he fails as a farmer he succeeds at making children laugh. (Which is to say by wiggling his ears.) He replaces fallen birds nests and makes pictures and poems. And so, of course, the elders of his town denounce his slack and shifless ways. A town meeting. A crow. A spell is cast. A sneeze. A surprise.

The Young Man Who Wouldn't Hoe Corn by Eric Von Schmidt The Young Man Who Wouldn't Hoe Corn by Eric Von Schmidt

This book’s design is reminiscent of a song. Here’s what I mean. That color—washes of analogous color in oranges and yellows and greens, those are the harmonies to the stark black’s melody. It’s steady and rhythmic like the downbeats of an upright bass. Unless they are splashed and chaotic like a mandolin’s intricacies.

The Young Man Who Wouldn't Hoe Corn by Eric Von Schmidt The Young Man Who Wouldn't Hoe Corn by Eric Von Schmidt

On top of stellar bookmaking, the story itself is a sweeping epic wrapped up in the short pages of a picture book. Listen to some of its lines:

Just about then he would get to puzzling about other things like “How high is up?” or “Who plants the dandelions?” or “Where do the stars go during the day?”

And every year all Jeremy had to offer was a big weedy field filled with assorted brambles and unchopped briars, bounded by dirty broken boulders.

Flap-flap, past bats that watched with eyes like razors, past lizards, toads, and laughing spiders, down past rats and rattlesnakes and monkeys dreaming evil dreams of moons.

We have specials today on stars that dance or boiling oceans, and a bargain rate for setting mountains into motion.

He hurled himself at the brambles and flung himself at the weeds with such speed you couldn’t tell which was hoe and which was crow.

True enough he is a sorry farmer. But in his head dwell pictures and in his heart are poems.

The Young Man Who Wouldn't Hoe Corn by Eric Von Schmidt

The listen-ability, the meter, the storytelling grumble. It’s all here. What a gem.

P.S.—A bit of poking around online still left me slightly confused about the history of this book and the similar-ly titled song. Did the book inspire the song? Did the song know about the book? I think the song inspired the nitty-gritty backstory of the young man who wouldn’t hoe corn. I can’t really tell, so I’ll just be sitting here enjoying both. Hope you are too.

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A Very Special House

A Very Special House by Ruth Krauss and Maurice Sendak

by Ruth Krauss and Maurice Sendak (HarperCollins, 1953)

School’s been back in the swing of things for a couple weeks, and it has been bananas. But I’ve got this beautiful new space and some read-in-me-for-hours lounge chairs and the kids named our bright new sitting area The Birdhouse. This week: shelves and books. The heart and soul.

The Birdhouse

That’s why I needed to visit a book that is about all of those things: comfort and wonder and imagination and a very special place.

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Fox’s Garden

Fox's Garden by Princesse Camcam

by Princesse Camcam (Enchanted Lion, 2014)

It’s hot in Los Angeles. Like, super really really hot. That’s why this book is an especially welcome reprieve. A book with snow in it? Please. A book with cool blues and winter scenes? Yes.

This is Fox’s Garden.

It’s a lovely little book.

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Homer Henry Hudson’s Curio Museum and and interview with Zack Rock

Homer Henry Hudson’s Curio Museum by Zack Rock

by Zack Rock (Creative Editions, 2014)

Zack Rock and I haunt some of the same circles on the internet. I have a tshirt with his work on it thanks to Vintage Kids’ Books My Kid Loves (how cool is that header?), and I have long admired his work thanks to some tea time at Seven Impossible Things here and here. And once upon a time in 2012, Zack wrote a hilarious joke for a Hallowtweet contest run by Adam Rex and Steven Malk.

I remember that well, cause in fun-facts-here-at-Design-of-the-Picture-Book both Julie Falatko and I were runners-up in that contest, and the real prize was getting her friendship. Start of an era, for sure. (Although Zack did get an original piece of Adam Rex art, and we’d both admit to coveting that a little. See below!)

So. I’ve had my eye out for this book for years. Years! And I was so happy that Zack spent some time chatting with me about this smorgasbord of stuff and story. He also said he “answered the living daylights” out of these questions, so I sure hope you enjoy the living daylights out of them like I did.

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