Sebastian and the Balloon

Sebastian and the Balloon by Philip C. Stead

by Philip Stead (Roaring Book Press, 2014)

This boy. This book.

Sebastian and the Balloon by Philip C. Stead Sebastian and the Balloon by Philip C. Stead

We know Philip Stead can tell a story. Even his Number Five Bus interview series (with wife and creative partner Erin and ‘potentially interesting interactions with fellow book people’) is like a bowl of chicken noodle soup and a blanket.

Here’s what I love about this book.

That the copyright page tells us the art was made with pastels, oil paints, and pressed charcoal. Those things make your hands dirty and rub all the story off with it. There’s a feeling of grit there that I can’t quite figure out, but somehow these drawings feel loose and messy and full of both turbulence and elegance. The color is both rich and muted, deep and spare.

Sebastian and the Balloon by Philip C. Stead

This red bird, that shows up on every single page. A constant companion to Sebastian’s wandering. A comfort. Sebastian and the Balloon by Philip C. Stead Sebastian and the Balloon by Philip C. Stead

That Philip Stead varies his compositions throughout, so that sometimes you are intimate with this cast, and sometimes you are pulling back for a wide shot of their world. That sometimes you are bobbing along with them and that sometimes you are floating free. That you feel the magnitude of this balloon trip, that you go with the wind too.

Sebastian and the Balloon by Philip C. Stead

This leafless tree that gets the lumpiest-in-my-throat moment when it returns in glorious color. It was hard not to show you what I mean, but if you haven’t seen this part, then see this part. I won’t wreck the magic.

Sebastian and the Balloon by Philip C. Stead

That the closest Sebastian comes to a smile is in sharing pickle sandwiches with his friends.

Sebastian and the Balloon by Philip C. Stead

The way this milky gray fog is drawn. Moody and slightly scary and a barrier between the reader and the page. You can’t warn them about the pop because they couldn’t hear you through its thickness. They have to endure the danger.

Sebastian and the Balloon by Philip C. Stead

That each character’s face is solemn and expressionless, but full of understanding. For each other, for pressing on, for seeing something. The tension there is the curiosity and the hope that they are finding comfort in their journey.

Sebastian and the Balloon by Philip C. Stead Sebastian and the Balloon by Philip C. Stead

These sisters. Because.

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This ramshackle roller coaster. Both “the most perfect roller coaster they would ever see” and chipped and faded and bent and broken and overrun with pigeons. And the pigeons, for where they go next.

Sebastian and the Balloon by Philip C. Stead

That Sebastian thought to bring a boat and a ball of yarn.

And that I have a love/hate relationship with Caldecott speculation, but that big moon and patchwork balloon would look especially nice with a third round thing on the cover.

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P.S. – Did I tell you about my spin on the Let’s Get Busy podcast with Matthew Winner and Kelly Light? That’s here if you want a listen. This book love guilt thing is no joke, because I keep thinking of other 2014 favorites that didn’t make our list, like this one. Huge thanks to book people for making great things. Don’t slow down. Also, here’s a super conversation between Philip and Jules at Seven Impossible Things Before Breakfast. More art! Not to miss.

I Know a Lot of Things

I Know a Lot of Things by Ann and Paul Rand

by Ann and Paul Rand (Chronicle Books, 2009; originially published in 1956.)

I Know a Lot of Things by Ann and Paul Rand I Know a Lot of Things by Ann and Paul Rand

You might remember how much I love this pair’s Sparkle and Spin, and this one is just as playful and just as true. That case cover surprise is an a delight, and complementary-colored endpapers start this book with a bang.

I Know a Lot of Things by Ann and Paul Rand I Know a Lot of Things by Ann and Paul Rand I Know a Lot of Things by Ann and Paul Rand

Paul Rand’s graphic genius is so well-matched by the simple and spare words of his wife, Ann. The text and the pictures both glide through that magical reality of childhood. Things that might seem daunting to someone bested by time are small and accessible. Things that may seem obvious or forgettable are ripe for play and adventure.

I Know a Lot of Things by Ann and Paul Rand I Know a Lot of Things by Ann and Paul Rand

It’s a reminder to slow down, listen, and watch. The world is built of wonderful things. The big picture is as beautiful as the details.

I Know a Lot of Things by Ann and Paul Rand

Here, the sentiment is the whole of this person. I’m not sure there’s an ending more perfect, not for kids or their grownups. There’s so much more to know, but what you carry with you can stay.

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How to Hide a Lion

How to Hide a Lion by Helen Stephens

How to Hide a Lion (Henry Holt, 2013. Originally published 2012 in the UK.)

by Helen Stephens Lion5

 

One hot day, a lion strolled into town to buy a hat.

Of course he did. That frilly blue thing in the window is pretty fancy after all. This beast only has eyes for that bonnet, and bypassed the bakery without even a side eye. But while the beast has eyes for the bonnet, the townspeople have eyes for safety and decorum. They chase him out. 

And like any smart wild animal, he finds refuge in a kid. A kid who was not scared of him in the least. A kid who saw a problem that needed solving. A kid who saw her world differently. She knows he needs hiding, and I think that’s such a beautiful example of what it must be like to be a kid. You have this vague awareness of things that are problems for grownups, and yet you attack them as if those grownups are absurd. 

That’s kid truth. That’s a great thing for this lion.

CLICK TO READ MORE

Martin Pebble

Martin Pebble by Jean-Jacques Sempé Martin Pebble (Phaidon, 2006; first published in French, 1969)

by Jean-Jacques Sempé

I love this book.

I love the type on the cover.

I love the yellow.

I love the shape and the size and the story.

I love Martin Pebble.

He’s loveable.

(I picked this up on a recent trip to Once Upon a Time in Montrose, CA, which is exactly why shopping in stores is the greatest thing. I had to touch this thing to believe it, and I might not have seen this thing if it weren’t for the bookseller. Bookstores are like story petting zoos and museums that don’t give you the stinkeye if you get too close to the art.)

(Something like that.)

But poor Martin Pebble.

Martin Pebble could have been a happy little boy, like many other children. But, sad to say . . . he had something that was rather unusual the matter with him:

he kept blushing. Martin Pebble by Jean-Jacques Sempé Martin Pebble by Jean-Jacques Sempé Martin Pebble blushes for all the usual reasons and for no reason at all. The brilliance of Sempé’s color here is hard to miss. Black and white line work contains the red of Martin’s face, and that red occasionally extends to the text as well.

Subtle. Striking. Martin Pebble by Jean-Jacques Sempé The contrast Sempé crafts between Martin’s red face and all that black and white makes that blushing even worse.

Martin is in a pickle. He’s tiny and nearly lost on the page save for his giveaway condition.

He dreamed of fitting in. Martin Pebble by Jean-Jacques Sempé But he always stood out. Martin Pebble by Jean-Jacques Sempé Then comes a series of sneezes, some very loud A T I S H O O s, and there he is.

Roddy Rackett, the new neighbor. Martin Pebble by Jean-Jacques Sempé Martin Pebble by Jean-Jacques Sempé When the story changes, and the hardships knock at the door, Sempé doesn’t just use the suspense of a page turn. He stops the story cold. Martin Pebble by Jean-Jacques Sempé Roddy Rackett’s family moves away.

When you are a boy, and when you are made normal in the quirks of another, you never really forget about it. You think about A T I S H O O s while you are doing grownup things like riding taxis and elevators. Martin Pebble by Jean-Jacques Sempé Martin Pebble by Jean-Jacques Sempé Sometimes things get back to normal. Martin Pebble by Jean-Jacques Sempé I won’t spoil past that pink-lettered page.

But I love it. IMG_1250 copy

And!

Sempé himself sounds like a storybook character. He sold tooth powder door-to-door salesman! Delivered wine by bicycle! (More here.)

Click here for some of Sempé’s covers for The New Yorker. Lovely.

And this Pinterest board is a feast for the eyes, too. Enjoy!

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The Lion and the Bird

The Lion and the Bird by Marianne Dubuc The Lion and the Bird (Enchanted Lion, 2014)

by Marianne Dubuc

A lion and a bird are not the most obvious of friends. One big, shaggy, and growly, and one small, sleek, and flit-about-y.

But not these two. The Lion and the Bird by Marianne Dubuc This lion has rosy cheeks which are insta-endearing and wanders out to his work. Just a lion, working in the garden. That’s when he spots an injured bird. The Lion and the Bird by Marianne Dubuc Same insta-endearing rosy cheeks.

The lion springs to action. The bird smiles, but the flock has flown away. The Lion and the Bird by Marianne Dubuc Marianne Dubuc varies the art on the page. Some spot illustrations, some full-bleed. This paces the small, quiet action of the story – the spots create sequential scenes on one spread, moving us forward in time, a full-bleed image slows us down into one moment on the same physical space. The Lion and the Bird by Marianne Dubuc The Lion and the Bird by Marianne DubucThe two spend the winter together, ice-fishing and fire-watching. It’s cold. But:

Winter doesn’t feel all that cold with a friend. The Lion and the Bird by Marianne Dubuc

No more spots, no more full-bleed. Only white space.

We slow way down. We worry about what’s to come.

But Spring has to come. The flock has to return.

The page turn here is filled with emotion. We see the lion saying a bittersweet goodbye. (How he’s holding his hat in honor is just the most beautiful thing.) The Lion and the Bird by Marianne Dubuc The Lion and the Bird by Marianne Dubuc And then, as if we are the flock, he gets smaller. Farther away. Lots of white space. The Lion and the Bird by Marianne Dubuc Time goes on. (Sometimes the seasons are like that.)

But then. The Lion and the Bird by Marianne Dubuc A flock of birds. A single note in the white space.

Winter returns, and so does his friend.

In this book, white space moves the story and white space is the story. The moments that seem the most like nothing might actually be the moments that are the most something.

That bird’s solitary trill piercing the air reminds me a bit of this art installation. It’s a combination of movement, music, and art that leaves room for the story in the space left behind. This reminds me of the lion, waiting and listening and hoping.

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PS: I’m heading to Las Vegas this weekend for ALA. Will you be there? Would love to say hello!

 Review copy provided by the publisher. All thoughts my own.

The Baby Tree

The Baby Tree by Sophie Blackallby Sophie Blackall

published 2014 by Nancy Paulsen Books, at Penguin KidsThe Baby Tree by Sophie BlackallAbout a year ago, I heard Sophie Blackall give a keynote at SCBWI Western Washington. She wears great tights and shoes and is a total riot. She had this effervescent spirit that had the whole room in stitches. It felt like watching one of her illustrations bounce right off the page and into the room.

See, I’m a big fan. Ivy and Bean are soul sisters. I gushed about The Crows of Pearblossom and The Mighty Lalouche over at Design Mom, and still stand by this tweet from the end of 2013.

Her work has sprinkles of fairy dust or something in it – something enchanting and mysterious and compelling and darn beautiful.

And this, her latest offering, is both calming and humorous, sweet and sassy. It’s a bound and beautiful answer to the dreaded where do babies come from?

breaker She’s so in tune with the vast (and sometimes creepy!) imagination of a youngster, and look at how that plays out in this art. Real life is a spot illustration, surrounded by white space and unknowns. But the what if bleeds to the edge of the page, filling every millimeter with color and wonder and possibility. Not only is it stunning to see, it’s intentional storytelling. The Baby Tree by Sophie Blackall The Baby Tree by Sophie BlackallHat tip, always, to Jules at Seven Impossible Things Before Breakfast for the interview that revealed that delicious tidbit. Check out her interview (and more art!) with Sophie here.

Sophie works in Brooklyn with other illustrators Brian Floca, Ed Hemingway, John Bemelmans Marciano, and Sergio Ruzzier. Can you even imagine spending an hour in that studio, soaking it all up and trying not to faint and fall in it? Dream field trip, for sure. Their kinship and support of one another has always been so apparent. Look here, and here, and here to see what I mean.

But also, look inside The Baby Tree for a glimpse at their love and support of one another. What’s our pajama-clad wonderer reading with Mom and Dad, all cozied up in bed? I won’t spoil it for you, cause it was a gasp-moment for me. If you’ll bust without knowing, check out Danielle’s post over at This Picture Book Life about allusions in picture books. (And stay there a while even once you see what I’m talking about, cause how brilliant is that?!)

You’d like a copy, right? Penguin has two to give away to you! (And you!) Just leave a comment on this post by Monday at noon PST, June 2nd. I’ll pick two, and have the stork deliver The Baby Tree right to your doorstep. Good luck!

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Review copy provided by the publisher, all thoughts and love my own.

 

100 Bears

100Bears by Magoli Bardos by Magali Bardos

published 2014 by Flying Eye Books 100Bears by Magoli Bardos Let me introduce you to Flying Eye Books, if you aren’t already pals with them. Their books are fairly new to me, but are consistently striking and interesting and a different sort of fare than some more commercial offerings. 

Case in point: this post by Danielle Davis over at This Picture Book Life (you know her, right? Her posts are a work of art and always a celebration of the picture book form. I’m lucky to know her in real life, not just on the internet.) and this look at their current season (and an interview!) by Travis Jonker 100Bears by Magoli Bardos 100 Bears is a counting book with some actual narrative to it. The pace starts off sweetly but then 9 gunshots and an escape leads to a madhouse of 23 knocked over chairs and 37 or 38 bits of confetti. Such trouble a few bears can get into! Some teensy text flaws swim around in that lost-in-translation sea, but there is some real satisfaction in a circular counting story with 100 moving parts. The smile you’ll get from the first and last pages alone is one of the true joys of story. 100Bears by Magoli Bardos A design technique shown off so spectacularly here is spot color. That’s when a single color is printed at a time, and so the process gets layered (and tricky!) by rolling down the building blocks of a print on the same lithograph. You won’t see gradients or blended color, just blocks of hue. (Here’s a little more about the process, from author/illustrator Greg Pizzoli.)

And why does the cover catch your eye? It’s more than a circus style balancing act of big old bears and their blocky numbers. It’s that complementary color scheme. Blue and orange. With a splash of pink for some oh, yes.

And so what is this thing? I’m not too sure, and I don’t really care! It’s like a coffee table book for the sippy cup set. Enjoy it, for sure. 100Bears by Magoli Bardos P.S. – Crazy for spot color? Stay tuned and hear again from the master himself, Greg Pizzoli. Coming up soon on Design of the Picture Book!

Collect Raindrops: The Seasons Gathered

Collect Raindrops by Nikki McClure

by Nikki McClure

published 2014 by Abrams Books (reissue)

Every soul who has seen Nikki McClure’s art has loved it. I’m sure there are studies and statistics on that, trust me. It looks as elegant on an iPhone case as it does on a gift tag or greeting card.

But then there are books, and thank goodness she makes them. Collect Raindrops by Nikki McClure This edition of Collect Raindrops has been reissued in an expanded form and a new format. It’s based on her ongoing calendar series, and begs to take up permanent residence on your coffee or bedside table. Don’t just stick it on the shelf. You’ll want this one at easy reach. It’s gorgeous to touch, to see, and to behold.

Collect Raindrops by Nikki McClure   Collect Raindrops by Nikki McClure Here, her pictures are gathered by their season, each introduced with love letters to their very time and place.

“Some people just need help to see the obvious. And that’s what artists are for.”

That sentiment comes from this short film that demystifies her process but reveals a lot of magic. She calls it corny, but I call it lovely:

breaker She says her paper cuts are like lace, and everything is connected. Before it’s in a book, can’t you picture what that art looks like held up against a light? Physically, the paper that remains envelops the paper that is gone. Like knots, or filaments, or branches. How beautiful then, that her subject is often community. Shared memories and experiences.

Collect Raindrops by Nikki McClure Collect Raindrops by Nikki McClure The contrast is what connects us. As much story lives in what’s been carved away as what sticks behind. But by simple definition, contrast means difference, and in design, your brain is searching for dominant elements. This art contrasts light and dark, filled and white space, and in those separations paints a portrait of community.

Collect Raindrops by Nikki McClure Collect Raindrops by Nikki McClure And then there’s the case cover itself. A web, a symbol itself of creativity and connection, binds the pages together.

Collect Raindrops by Nikki McClure Isn’t that remarkable?

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The Red Shoes

The Red Shoes

by Gloria Fowler, illustrated by Sun Young Yoo

published 2008, by Ammo Books

The slightest clunk in some of the words is swept up in the utter beauty of the illustrations in The Red Shoes. It’s an interpretation of the classic Hans Christian Anderson story, and I love its elegant take on girl power.

Just look at that cover. It’s evocative and inviting and so lovely that I’m not quite sure where her locks and thread intertwine and end.

The illustrations are rendered in black and white throughout, and so the peek of red under the dust jacket is exquisite. And lift that dust jacket for a taste of those red shoes. The Red Shoes Speaking of the black and white, Sun Young Yoo says this: “A lot of people have asked me the reason why I don’t use any colors in my work. I do use colors sometimes, but I think there are a lot of colors out in the world. I don’t think I need too many colors to express my thoughts and stories. A piece of paper and a pen with black ink would be enough for me to create my own world. Instead of filling up the paper with colors, I’m inviting the viewers to my black and white world and asking them to fill up the blanks with their own colors and imagination.” The Red Shoes Endpaper junkies will adore them, and so will the shoe fiends among you. (I’m looking at you, Sallie.) The Red Shoes And the title, woven from needle and thread. Whoa. All of these details, and we are just now to the beginning of the words in the story. Thanks to its form, so much of the picture book experience is absorbed prior to reading a word. Its art, its heft, its detail: you’ve read so much of the story before you get to its true beginning. Then we meet Karen, the daughter of the town shoemaker. We see one illustration of their love for each other, an embrace that is so deftly drawn that it takes a long look to see where one begins and the other ends. So when Karen’s mother falls ill and passes away, the devastation is great. She’s alone in a vast empty space. And that tear. The Red Shoes The Red Shoes Enter a queen and a princess and a decree to hand over the red shoes or be cut at the ankle. Karen looks so alone in this forest of executioner boots. The Red Shoes Where white has washed the previous pages, now we only see dark. And man, I love this picture. Karen’s mother, reflected in a river and reaching out for Karen’s tears. Once again, the two wrapped around one another. The Red Shoes The Red Shoes And then, a spark. Stitches and beads and sequins and threads. A bit of bravery and a touch of trickery.

I love that a story about a special pair of red shoes was told with an economy of color. The expressive line of a careful pencil holds all the weight of this fairy tale.

Happily ever after.

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The Tiny King

The Tiny King by Taro Muiraby Taro Miura

first U.S. edition published 2013, by Candlewick Press

Here’s a sweet and funny story. Candlewick sent me a review copy of The Tiny King in the waning weeks of 2013. My eye was already eager for it thanks to this Calling Caldecott post about international illustrators, so it was a bit of postal perfection. (Speaking of, are you counting down the days to January 27th?)

And then for Christmas, my mom sent me a spectacular selection of picture books – including The Tiny King! She always says I’m tough to buy books for, like “purchasing jewelry for a jeweler.” Maybe that’s true, but I think she did a pretty darn good job. (The others were a Poky Little Puppy Christmas edition and an autographed Jon Scieszka, so. And all came from bbgb in Richmond, VA. Shop indie!)

There’s no moral to this story. Just an extra copy of The Tiny King for you! Stay tuned for how to snag it.

So, this book. It’s this crazy mashup of charming fairy tale and quirky collage. The result is exquisite and mesmerizing, and you get a taste of that from the cover alone.

A sword-gripping hand is strong and fierce but nothing more than a circle. His distinguished white hairdo dripping out from under his crown – a small stack of white, curved lines. A leg made up of newsprint, which on careful inspection is a snippet of the tiny King’s wedding announcement. Foreshadowing. Spoiler. Clever and adorable.

Did you see the mini-note at the bottom of the cover, too? (This is the actual size of the Tiny King.) What a little delight! DPB_Stack_TheTinyKing Now that you’ve met him on the cover where you’ve seen him smash end to end, flip open to the first page and see that stature in context. This split in scale made me laugh out loud and drop my jaw. It’s so stunning, and so easy to fall in love with this little dude – small and alone and swimming in it.

He has a massive colorful castle, an army of tall soldiers with spears, and a feast fit for a bigger king. The spreads that introduce the reader to his lavish and lonely lifestyle are dark and looming, despite his kooky, whimsical posessions. DPB_Stack_TheTinyKing2 And then one day, a big princess shows up. The light! The expanse of bright space! The Q on her triangled gown! I went all out gaga and giddy for our tiny hero.

Everything changes in tone and in mood. The story takes place on washes of pink, blue, and yellow. The babies arrive, the soldiers are sent home to their families, and the empty castle is filled up with a bunch of love. DPB_Stack_TheTinyKing3 Happily and beautifully ever after.

I’d love to send a copy from my castle to yours. Just comment here by Thursday night at midnight PST. I’ll announce winners for this giveaway (and The Mischievians!) on Friday, and head to the royal post office this weekend.

Good luck!

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Review copy provided by Candlewick Press.