Cat Says Meow (and a giveaway!)

Cat Says Meow by Michael P. Arndt by Michael Arndt (Chronicle Books, 2014)

This book won me over when I saw it last year, and it’s one that is fun to peek into again and again. And how is that the case with something so simple, but so sophisticated? So spare, but so complex? That’s the best truth of design.

Here’s what’s happening. Each spread shows an animal and its sound. And each animal is mostly made up of the letters of that sound.

It’s a fun puzzle to unlock. The portraits are bold and saturated in color, often different than we’d see them in the wild.

But here they are, wild anyway.

Cat Says Meow by Michael P. Arndt Cat Says Meow by Michael P. Arndt Cat Says Meow by Michael P. Arndt

I do love an animal book that goes beyond the usual suspects, don’t you? A mosquito! Not my favorite friend by any means, but he looks good and menacing here.

Cat Says Meow by Michael P. Arndt Cat Says Meow by Michael P. Arndt Cat Says Meow by Michael P. Arndt

This small volume is a perfect primer on both typography and onomatopoeia.

And it’s got killer endpapers.

Cat Says Meow by Michael P. Arndt

A portion of  proceeds from Cat Says Meow goes to support animal rescue organizations, including the ones from where Michael’s dog (Clooney!) and cat (Aiden!) were rescued.

And for more type fun, play this kerning game and see how your eye stacks up to a designer’s. Or this one on letter forms, which is a bezier curve bonanza.

Would you like a signed copy? And these one of a kind bookmarks and vinyl stickers! You do, yes. Leave a comment here or share this post on Twitter before midnight on March 8st, PST. Good luck!

Cat Says Meow by Michael P. Arndt Cat Says Meow by Michael P. Arndt

 

ch

All images are © 2014 Michael Arndt. Thanks to the artist for sharing them (and an awesome giveaway!) here. And be sure to check out his Instagram if you love all things type, animal, and lovely. It’s a great one!

 

Sebastian and the Balloon

Sebastian and the Balloon by Philip C. Stead

by Philip Stead (Roaring Book Press, 2014)

This boy. This book.

Sebastian and the Balloon by Philip C. Stead Sebastian and the Balloon by Philip C. Stead

We know Philip Stead can tell a story. Even his Number Five Bus interview series (with wife and creative partner Erin and ‘potentially interesting interactions with fellow book people’) is like a bowl of chicken noodle soup and a blanket.

Here’s what I love about this book.

That the copyright page tells us the art was made with pastels, oil paints, and pressed charcoal. Those things make your hands dirty and rub all the story off with it. There’s a feeling of grit there that I can’t quite figure out, but somehow these drawings feel loose and messy and full of both turbulence and elegance. The color is both rich and muted, deep and spare.

Sebastian and the Balloon by Philip C. Stead

This red bird, that shows up on every single page. A constant companion to Sebastian’s wandering. A comfort. Sebastian and the Balloon by Philip C. Stead Sebastian and the Balloon by Philip C. Stead

That Philip Stead varies his compositions throughout, so that sometimes you are intimate with this cast, and sometimes you are pulling back for a wide shot of their world. That sometimes you are bobbing along with them and that sometimes you are floating free. That you feel the magnitude of this balloon trip, that you go with the wind too.

Sebastian and the Balloon by Philip C. Stead

This leafless tree that gets the lumpiest-in-my-throat moment when it returns in glorious color. It was hard not to show you what I mean, but if you haven’t seen this part, then see this part. I won’t wreck the magic.

Sebastian and the Balloon by Philip C. Stead

That the closest Sebastian comes to a smile is in sharing pickle sandwiches with his friends.

Sebastian and the Balloon by Philip C. Stead

The way this milky gray fog is drawn. Moody and slightly scary and a barrier between the reader and the page. You can’t warn them about the pop because they couldn’t hear you through its thickness. They have to endure the danger.

Sebastian and the Balloon by Philip C. Stead

That each character’s face is solemn and expressionless, but full of understanding. For each other, for pressing on, for seeing something. The tension there is the curiosity and the hope that they are finding comfort in their journey.

Sebastian and the Balloon by Philip C. Stead Sebastian and the Balloon by Philip C. Stead

These sisters. Because.

###

This ramshackle roller coaster. Both “the most perfect roller coaster they would ever see” and chipped and faded and bent and broken and overrun with pigeons. And the pigeons, for where they go next.

Sebastian and the Balloon by Philip C. Stead

That Sebastian thought to bring a boat and a ball of yarn.

And that I have a love/hate relationship with Caldecott speculation, but that big moon and patchwork balloon would look especially nice with a third round thing on the cover.

ch

P.S. – Did I tell you about my spin on the Let’s Get Busy podcast with Matthew Winner and Kelly Light? That’s here if you want a listen. This book love guilt thing is no joke, because I keep thinking of other 2014 favorites that didn’t make our list, like this one. Huge thanks to book people for making great things. Don’t slow down. Also, here’s a super conversation between Philip and Jules at Seven Impossible Things Before Breakfast. More art! Not to miss.

Home Grown Books

Homegrown Books by Cecile Dyer and Kyla Ryman (Home Grown Books, 2014)

Homegrown Books Homegrown Books I’ve written before about how I’m a sucker for board books, but this new-to-me publisher has raised the board book bar. These books are both meaningful and beautiful, which is a touch balance to strike in a book so seemingly simple. This one, Dress Up, shows a series of cats with killer expressions donning all sorts of odds and ends. A fancy cat fastens a bow to one side, a dapper cat sports a vest. Mask! Scarf! Glasses! Cats with style, for sure.

Homegrown Books This board book is a second edition reprint, because it originally showed up in teensy paperback form as part of a 9-book Little Reader series, The Play Book Set.

Homegrown Books

Homegrown Books See Dress Up up there with the orange cover? The insides are similar, but the pictures are bordered with white space holding the words.

Nothing in these books is too cutesy, too precious, or too simple. The art is sophisticated, accessible, and challenges a little brain’s wonderings.

Homegrown Books Homegrown Books Kids need good art, and Home Grown Books is doing a bang up job fitting that bill. (Plus, any sax-playing hen is fine by me.)

Clever packaging includes tips on how to read with the bittiest in your family. Talk about the pictures! Make connections! Everyday concepts meet rich art. It’s a lovely thing.

Homegrown Books Homegrown Books

Eco-friendly and recycled paper to boot! Lots to love about these new books on the block. Find a babe, stat.

Here’s illustrator Cecile Dyer talking about watching the world, interacting with young readers and artists, and of course, these these tiny, book-shaped treasures.

ch

 

 

Firebird

Firebird by Misty Copeland and Christopher Myers by Misty Copeland and Christopher Myers (Penguin Young Readers Group, 2014)

Firebird by Misty Copeland and Christopher Myers

When you open a book to sweeping, fiery endpapers, it’s almost as if you can hear the symphony begin. The author, Misty Copeland, is a principal dancer with the American Ballet Theater. The illustrator, Christopher Myers, is a Caldecott Honoree for Harlem and the son of the legendary Walter Dean Myers.

We are in stellar storytelling hands.

Firebird_MC1

(image here // Copeland dancing the Firebird)

Firebird_MC2

(image here // Copeland dancing the Firebird)

Firebird by Misty Copeland and Christopher Myers

Christopher Myers’s art captures the lines and shapes of a dancer’s movement. Intricate, suspended, and dizzying.

Firebird by Misty Copeland and Christopher Myers

Misty Copeland’s words are fire and poetry to a timid youngster’s soul.

Firebird by Misty Copeland and Christopher Myers Firebird by Misty Copeland and Christopher Myers

I adore the anticipation in this spread, the dancer waiting for the curtain to rise, and I imagine a lump in her throat and a belly full of as many swoops as the folds in the curtain.

Firebird by Misty Copeland and Christopher Myers Firebird by Misty Copeland and Christopher Myers

Each page turn reveals a composition that is even more striking than the last. This is a pairing of musicality, movement, and a jaw-dropping array of colors and feelings. The way her words and his pictures create an animated harmony is exactly how music and movement do the same in the ballerina’s world.

A perfect pas de deux.

Firebird by Misty Copeland and Christopher Myers

For more on Misty Copeland, take a look at this. She is a lovely storyteller, both in her books and with her body.

 

 

Firebird by Misty Copeland and Christopher Myers

ch

Review copy provided by the publisher.

Flashlight and an interview with Lizi Boyd

Flashlight by Lizi Boyd

by Lizi Boyd (Chronicle Books, 2014.)

I really love Lizi Boyd’s work. It’s this perfect mix of oh, of course and oh, I never. Once upon a time I wrote about Inside Outside over on Design Mom, and I’ve been looking forward to this new book for a good while. It’s a great thing to have room for more.

And can you stop looking at that cover? I can’t. It’s beckoning, it’s comforting, it’s hurry-up-and-get-adventuring.

So I was lucky enough to have a chat with Lizi Boyd about creating books, the sound of picture books, her process, and her dogs. Thanks for welcoming your book to the world with us this way, Lizi.

CLICK TO READ MORE

How to Hide a Lion

How to Hide a Lion by Helen Stephens

How to Hide a Lion (Henry Holt, 2013. Originally published 2012 in the UK.)

by Helen Stephens Lion5

 

One hot day, a lion strolled into town to buy a hat.

Of course he did. That frilly blue thing in the window is pretty fancy after all. This beast only has eyes for that bonnet, and bypassed the bakery without even a side eye. But while the beast has eyes for the bonnet, the townspeople have eyes for safety and decorum. They chase him out. 

And like any smart wild animal, he finds refuge in a kid. A kid who was not scared of him in the least. A kid who saw a problem that needed solving. A kid who saw her world differently. She knows he needs hiding, and I think that’s such a beautiful example of what it must be like to be a kid. You have this vague awareness of things that are problems for grownups, and yet you attack them as if those grownups are absurd. 

That’s kid truth. That’s a great thing for this lion.

CLICK TO READ MORE

Martin Pebble

Martin Pebble by Jean-Jacques Sempé Martin Pebble (Phaidon, 2006; first published in French, 1969)

by Jean-Jacques Sempé

I love this book.

I love the type on the cover.

I love the yellow.

I love the shape and the size and the story.

I love Martin Pebble.

He’s loveable.

(I picked this up on a recent trip to Once Upon a Time in Montrose, CA, which is exactly why shopping in stores is the greatest thing. I had to touch this thing to believe it, and I might not have seen this thing if it weren’t for the bookseller. Bookstores are like story petting zoos and museums that don’t give you the stinkeye if you get too close to the art.)

(Something like that.)

But poor Martin Pebble.

Martin Pebble could have been a happy little boy, like many other children. But, sad to say . . . he had something that was rather unusual the matter with him:

he kept blushing. Martin Pebble by Jean-Jacques Sempé Martin Pebble by Jean-Jacques Sempé Martin Pebble blushes for all the usual reasons and for no reason at all. The brilliance of Sempé’s color here is hard to miss. Black and white line work contains the red of Martin’s face, and that red occasionally extends to the text as well.

Subtle. Striking. Martin Pebble by Jean-Jacques Sempé The contrast Sempé crafts between Martin’s red face and all that black and white makes that blushing even worse.

Martin is in a pickle. He’s tiny and nearly lost on the page save for his giveaway condition.

He dreamed of fitting in. Martin Pebble by Jean-Jacques Sempé But he always stood out. Martin Pebble by Jean-Jacques Sempé Then comes a series of sneezes, some very loud A T I S H O O s, and there he is.

Roddy Rackett, the new neighbor. Martin Pebble by Jean-Jacques Sempé Martin Pebble by Jean-Jacques Sempé When the story changes, and the hardships knock at the door, Sempé doesn’t just use the suspense of a page turn. He stops the story cold. Martin Pebble by Jean-Jacques Sempé Roddy Rackett’s family moves away.

When you are a boy, and when you are made normal in the quirks of another, you never really forget about it. You think about A T I S H O O s while you are doing grownup things like riding taxis and elevators. Martin Pebble by Jean-Jacques Sempé Martin Pebble by Jean-Jacques Sempé Sometimes things get back to normal. Martin Pebble by Jean-Jacques Sempé I won’t spoil past that pink-lettered page.

But I love it. IMG_1250 copy

And!

Sempé himself sounds like a storybook character. He sold tooth powder door-to-door salesman! Delivered wine by bicycle! (More here.)

Click here for some of Sempé’s covers for The New Yorker. Lovely.

And this Pinterest board is a feast for the eyes, too. Enjoy!

ch

Presto Change-o! A Book of Animal Magic

Presto Change-o!by Édouard Manceau

published March 2014 (tomorrow!) by Twirl Books, distributed in America by Chronicle Books

What a treat to give the new Twirl books a whirl! (They are doing something right when a thirtysomething-ed lady squeals over a box of board books, right?)

This one is perfect for grabby hands and curious minds. Check it out in action.

breaker Presto Change-o!This is a board book that’s been on a steady regimen of spinach and milk. It’s big and beefy. That’s a great thing, because there’s a lot to experience on these pages.

Here’s how it works. The left page shows two seemingly unrelated nouns, loosely connected by a narrative. Sometimes it’s lilting and sometimes a bit labored, but since it’s a translation, all text-clunk is forgiven. Besides, the real treat is in the visual and tactile experience. Presto Change-o!Swinging a shape or two or three around transforms one picture to another. It’s simultaneously simple and sophisticated. And just plain fun to see and do. Swinging a shape or two or three around transforms one picture to another. It’s simultaneously simple and sophisticated. And just plain fun to see and do. Presto Change-o! Presto Change-o!Some standard fare lives here: Rabbit, Teapot, Owl. And then there’s Bowl of Salad. Bowl of Salad! Thank goodness for the French. What a delight! Some standard fare lives here: Rabbit, Teapot, Owl. And then there’s Bowl of Salad. Bowl of Salad! Thank goodness for the French. What a delight! Presto Change-o! Presto Change-o!I’m teaching an introductory Photoshop and graphic design class this summer. To 3rd – 6th graders. My brain exploded with ideas for projects when I saw this book. You better believe we will be creating our own Presto Change-os! 

Stay tuned.Presto Change-o!Here’s a bit more about Twirl Books.

breaker

ch

Review copy provided by the publisher.

Abe Lincoln’s Dream

abeLincolnsDream_coverby Lane Smith

published 2012, by Roaring Brook Press, an imprint of Macmillan

Check out this trailer. It sets up the book’s mood and pace with flawless grace.

breaker Lane Smith has done something really special here. It’s an evocative look at a legacy. A look back and a look forward. Steps taken and hope to go.

I love that a curly haired girl with brown skin is his host. Perhaps that was an obvious choice, but I think she’s more than an art direction. Her today is because of his past.

She is his recurring dream that he just can’t shake.DPB_Stack_AbeLincolnsDream1This is history and beauty, wrapped up in the whimsy that only Lane Smith can do. His textures add life to an already rich history. They are layers, individual parts to a whole life and a whole story.

Roses and lightning and cherry blossom branches frame panels of their journey. Different type for her thoughts and his. Different times, balanced and bridged. Lane Smith’s art is restrained and curious and playful all at once.  DPB_Stack_AbeLincolnsDream2  I can’t think of another storyteller who could handle this story with greater elegance. Art that both delights and informs, and words that are both playful and serious in tone. A masterpiece!

ch

What Happens When . . .

by Delphine Chedru

{published 2013 (in English), by Tate Publishing}

I’ve been thinking a lot about visual storytelling lately. Well, I pretty much am always thinking about visual storytelling. And that’s why I was so tickled and touched by this book. Thanks to Rebecca at Sturdy for Common Things for introducing me to this lovely find!

I bought it because of that cover. I didn’t know I’d open page after page of wow. Instantly, I was drawn to the simplicity of each layout. A spare white page on the left, graced only with one line of text. And on the right, a richly colored illustration to match the text. On this very first spread, you get a clear sense of Delphine Chedru’s suggested shapes and mastery of negative space. It’s graphic and bold and beautiful.

So what does the text say?

What happens when my balloon floats up, out of the zoo . . . ?

And then, this: Rather than turning the page, you unfold it. The text is still there to remind you of the story that gurgled up out of that wonder. Do you see your red balloon? The pages that follow are just as curious, and just as surprising. It’s impossible to not create a scenario for each posed question, and then be awed by the illustrator’s solution.  And to my bucket when I leave it behind on the beach . . . ? What you might not be able to see in that picture is a WANTED sign for the shark, and a tiny red fish with a sheriff’s hat leading his capture, all with that bucket that you left on the beach. Adore.

And wouldn’t it be fun to create your own pages like this? Or respond to these pictures in writing? Isn’t all creativity answering ‘What if?’ What happens when my left sock slips behind the radiator . . . ?

Well? What happens to Teddy when I leave him behind . . . ?

That bird on the boing-boing horse is just too much. Makes me laugh every time.

And then, a big, huge, monster question: What happens to stories once a book is closed . . . ?
This last page doesn’t unfold. This answer is up to you.

I am so under the spell of this weighty book with the lighthearted illustrations. I’m not sure how to answer that last question, and sitting with the ‘What if?’ is both challenging and satisfying, isn’t it?breakerWant more Delphine Chedru? Me too. I found this book trailer, and although I can’t understand the words, I can read the pictures. So charmed.

ch