Whatever Happened To My Sister?

IMG_1226 by Simona Ciraolo (Flying Eye Books, 2015)

Heads up, picture book people: I got to be a guest blogger for Picture Book Idea Month, hosted by Tara Lazar. Have you heard of it? Hope so. It gives all of us something to crowd around and celebrate while all those novelists are cranking out buckets of words. Check it out here.

I wrote about a question my agent asked me recently: what is this thing about about? Not a synopsis of plot points, but on a soul-level, what’s it about about?

That connected with me as a writer big time, but I think it also reveals what I find so compelling about books by other folks as well. This book, Whatever Happened To My Sister? is about about what you lose by growing up. In this case, it’s not that your clothes get smaller or you outgrow some toys. No. In this case, it’s that the very thing that defined your childhood is missing. And that is heartbreaking.

This opening spread.


Here’s a small girl, cheeks all ruddy and knees all scraped up. She’s leaning over a scrapbook of sorts, proof that once upon a time, she had a sister. Not this someone who looks a lot like her, but isn’t.

Using snapshots here lets us into their world, those warm memories, that nostalgia. A smile that’s not quite there anymore.

Throughout, Ciraolo uses muted oranges and blues which is such a lovely combination, both for its complementary-ness and its emotion. Those blues and grays feel cool and sad, while the oranges feel like frustration. Like newness.

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And here, the scenes are just different enough to cause a chasm, but so close at heart. The little’s pumpkin costume mirrors the poofy couch of the older. It’s beautiful and tender and heart-clutch-y all at once.

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Same red cheeks, just older. But a slam that swooshes the little’s dress and hair.

And then time.

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Time turned back.

A lovely, lovely book. The illustrations have so much charm and life in the lines, and this is a beautiful picture book for when you’ve grown out of the bringing-home-baby ones. Because those babies grow up, and childhood changes.


PS: Another Simona Ciraolo favorite is Hug Me, and if you head over to This Picture Book Life, Danielle has an adorable cactus craft you could make!

Louis I, King of the Sheep


by Olivier Tallec (Enchanted Lion, 2015)

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Here’s a parable sort of story, one that reads like a cautionary tale but also has a richness to it that’s full of heart and angst and absurdity. 

Because here’s a sheep, just like the other sheep except for the windblown crown that lands at his feet. Once stuck atop his head though, he is unlike the others. He alone is Louis I, King of the sheep. That is what an unexpected crown means, right? 

A mark of a great picture book is its recognition of truth in the world, for all readers, from kids to grownups. And while grownups might see complex themes here, this is not unlike daily goings-on at recesses or on playgrounds all across everywhere. 

With his newfound leadership and gumption, Louis I makes all kinds of rules and procedures for himself and his subjects. There’s the one about carrying a scepter at all times, occupying a throne, and addressing his people.

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It doesn’t matter to Louis I that his scepter is a branch and his throne is a crook in a tree. By the time he addresses his people, he is fully engulfed in his daydream. The art has gone from fanciful to fantastic, and it is a funny stretch of pages.

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And then from fantastic to downright ridiculous. The reader can see so clearly through this poor sheep’s façade, and we are equal parts play-along and patronizing. 

But then Louis I goes a tad too far with his power, a power that has taken a turn to the oppressive. A blue crown whooshed in on a whim created this kind of leader.

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Where this book is a nod to playfulness, there’s some real hurt that can happen when we claim power that doesn’t belong to us. All of that, packed into a picture book about a sheep and a gust of wind. A gust of wind that ultimately blows that blue crown back out into the ether. A gust of wind that turned this despot back into plain old Louis the sheep.

Don’t miss the very last page here. A killer ending!


All the Wonders + #littlelitbookseries

4 Well, hello! Happy Friday!

My blog had a bit of a scraped-knee-and-bandaid-situation over the last week, so no new posts from me this week here. I’ll be back next week with a look at a blue-crowned ruler, a real thinker of a picture book.

For now, how about some other stuff I’ve written around the web? Okay.

A big C H E E R S to the launch of All the Wonders! Hope you’ve joined our party over there. Here’s a look at a series I’m doing called Then and Now, pairing well-loved and modern classics. This week we looked at different kinds of bravery in two beautiful books.

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And on Instagram, check out the #littlelitbookseries! A collective of bookish Instagrammers gather up picture books on a theme once a month, and today we’re taking a look at food. Take a look for some new books to add to your stack and some new folks to follow.

Happy weekend!


Tough Guys + an interview with Keith Negley


by Keith Negley (Flying Eye Books, 2015)

Heads up, email subscribers: my blog took a bit of a tumble so I’m reposting what was lost in the shuffle. Apologies, and thank you for reading!

The kind folks at Flying Eye sent over a preview of this book, thinking it was right up my alley.

It’s right up my alley.

The theme: yes. The design: yes. The snappy, bold, in-your-face look at tough guys plus the snappy, bold, in-your-face look at feelings: yes.

I chatted with Keith Negley, and learned a lot about this debut effort. I hope there’s more from him, and I hope you enjoy this peek into the brain of a picture book creator.

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Hi Keith! Can you talk about where this story came from? And what the process was like for its creation?

It all started when my son Parker who was 6 at the time stole a soccer ball from a friend during soccer practice and his friend got upset and they fought over it. Parker was angry at first, but then felt embarrassed and ashamed because he knew he did something wrong. I could tell he was struggling with how to handle all these new emotions that were happening to him at the same time. He walked away from the group and sat down to be by himself because he didn’t want anyone to see him cry. Later that night, I explained to him that it was totally natural to cry and that everybody does it. I told him sometimes even I cried, and he looked up at me and asked, “grown ups cry too?

It blew his mind that even adults cried because he thought it was something only kids did. I wished I had a book I could read to him that let him know that frustration and crying is a natural thing not to be ashamed of. The next day the idea for the book popped into my head.

You’ve done a lot of editorial illustration, but this is your first children’s book. Can you tell us the how and why you got into books?

I always liked the idea of making picture books for children, but it wasn’t until I became a parent and started reading a ton of picture books to my son did I realize there was a lack of the kind of books we enjoyed. Honestly the books I’ve been working on were born out of necessity because I wanted to read them and no one else had made them yet.

Your tumblr tag line is spectacular: part man, part negative space. Can you explain where that came from and why it represents you so well?

Ha, I find tragedy to be the greatest muse. The subjects I enjoy working with the most are the ones that break my heart. It’s cathartic somehow, and I feel like I really get to put a piece of me into the work. What ends up happening is I have a portfolio of rather depressing subject matter. But I’m always striving to create beautiful images with it. That juxtaposition is challenging and rewarding for me.

Add to that I tend to utilize negative space as a compositional tool fairly often and so I thought it tied the content in with the image making nature of the blog.

toughguys-9 Who are some of your story heroes?

I’ve been a huge fan of Lane Smith for years and years. Jon Scieszka is another one. Ezra Jack Keats. Jack Kent’s Socks For Supper is one of my all time favorites as a kid and it still holds up today.

What do you remember about picture books from your childhood?

I remember my mom reading them to me and how she would make different voices for all the characters. I try to do that for Parker but he’s not into it at all unfortunately.


What is your favorite piece of art hanging in your home or studio?

Not sure if this counts, but I like to make music in my spare time and I’m a huge nerd for vintage synthesizers. I currently have a 1979 Korg 770 sitting in my studio and just looking at it makes me very happy. I consider them works of art.

What’s next for you?

Trying to schedule some reading events for the fall/winter and I’m in the middle of working on my second book for Flying Eye which should be out in time for Father’s Day next year!


Thank you, Keith! And vintage synthesizers totally count as works of art.

PS: Congratulations to the winner of the The Story of Diva and Flea giveaway, Ashley! And thanks to Flying Eye for the images used in this post.


How to Outfox Your Friends When You Don’t Have a Clue + an interview with Jess Keating


by Jess Keating (Sourcebooks Jabberwocky, 2015)

Heads up, email subscribers: my blog took a bit of a tumble so I’m reposting what was lost in the shuffle. Apologies, and thank you for reading!

Sometimes you meet people on the internet who are instantly your kind of people. And all of a sudden they aren’t a tiny square avatar, but a real friend who sends you ketchup chips from Canada and the best gifs to your email. They support you on this whirling road of publishing, and they make you laugh and laugh and laugh and laugh and you wish that Canada and California weren’t so far away.

Let me introduce you to my friend Jess Keating. She’s got great books and she’s a better friend, and I’m so happy to have her here today to celebrate her newest story in the My Life is a Zooseries, How to O

And also, it’s not just me. These guys liked her too . . .

“With her trademark kid-oriented wit and lighthearted touch, Keating leads readers through the daily emotional ups and downs of the typical just-turned-teenager who is trying to juggle hormones, parents, schoolwork, and, most importantly, her friends…A sweet reminder that being middle school girl is about far more than boys and makeup.” –Kirkus, starred review

So: here she is!

Hi Jess!

Hello, my dear Carter! Thank you for having me!

Can you give us some backstory on Ana? Is there any young-Jess-Keating wrapped up in her?

There is definitely a lot of young-me in Ana. I’ve always been an animal nut, and I was raised on Kratt’s Creatures, Crocodile Hunter, and Jane Goodall. Savvy readers might notice that Ana’s middle name is Jane—both she and her mother share this name to honor Dr. Goodall!

As a kid, it was my dream to live in a zoo, surrounded by strange animals. Obviously, my parents thought this would be rather hazardous, so instead they let me decorate my room to look like the rainforest. I even stuck plastic lizards and poison arrow frogs to my walls. Sometimes I even pretended I was David Attenborough, narrating my way through the day with a bad British accent.

Ana is also a giant nerd, who struggles with feeling like an outsider a lot. I think that’s something a lot of us share (particularly as teens and tweens), and I was no exception. It takes guts to share your passions, you know? I think Ana is also a very lucky kid, in that she’s surrounded by intelligent people who challenge her to pursue her dreams. We have that in common too.

Which do you most identify with: having untied shoelaces, missing a snorkel, or not having a clue?

Untied shoelaces!


What’s your ideal writing scenario? Snacks? Tunes?

Yes to snacks! I’m a big fan of popcorn and chocolate chips. Together or separately, really. My awesome agent Kathleen Rushall introduced me to Songza, which I’ve found to be perfect for playing background music while I write. I listen to mainly movie scores and video game soundtracks.

I like to move around a lot as I work, so I have a standing desk that’s really just a wooden crate that props up my laptop. That’s about it! Oh, and Post-It notes. Millions and millions of Post-It notes.

Which came first, these characters or their scenarios?

The characters came first, for sure. I think once you’ve got characters you know well, especially their flaws, it’s really a matter of plunking them down with some challenges and letting them find their way. I’ve always had such a clear picture of Ana, Daz, and Shep, so they seem to run the show. With each book, I have a general idea of a setting I’d like to explore, but I like to give them some freedom in getting there.

But sometimes writing can surprise you! Characters like Sugar and Bella were much quieter in my mind, and getting to know them better as the series continues has been extra fun.

What has been your most favorite scene to write and edit? Just don’t spoil us too much!

I love writing funny scenes, embarrassing scenes, and downright awful ‘fight’ scenes between friends. There’s just so much juicy emotion in these!

My favorite scene to write in OUTFOX revolves around Ana doing a Superman impression. I won’t spoil it, but it’s a scene I’ve wanted to write since the beginning of the series!

Describe Canada in one word.


What gif best describes your feelings for this book’s birthday week?

Ahh, you know how much I love gifs! I have so many feelings, I have to give you two! Publishing a book is a funny thing—it never stops being exciting. With every new book, I feel like Bilbo going on an adventure:

And this week especially, I’m so thankful and humbled that we get to continue Ana’s story in a third book. It takes so many people to get the story in your head on a shelf, and the readers who pick it up are really the reason we do this. So, I have a lot of love for everyone who works so hard to make these books, and those who have been with Ana from the start. Hence, hobbit hugs:

What’s coming next for you?

I like working on several projects at once, so I’ve got lots to keep me busy! My first nonfiction picture book is coming out in February, called PINK IS FOR BLOBFISH. It’s all about challenging the notion that “pink is for girls”, showcasing bizarre, dangerous, and unique pink animals. I’m tickled pink for this one! (Sorry.) This book is part of a new series called “The World of Weird Creatures”, so I’m also working on the next one! I can’t share the title yet, but I’ve definitely never seen anything like it before. Hee!

I’m also deliriously happy to report that we’ve just sold my first picture book biography!SHARK LADY is all about the life of Eugenie Clark, an incredible female scientist who studied—you guessed it—sharks. She is one of the coolest ladies I’ve ever come across, and I’m so excited to share her story!

Thanks again for having me!


The wonderful folks at Sourcebooks Jabberwocky are going to give away a complete set of Jess’s My Life is a Zoo series to a lucky reader! Head here to enter! (https://www.rafflecopter.com/rafl/display/54ca7af7194/)


Good luck!


About the Author:

Jess Keating is a zoologist and the author of the critically acclaimed How to Outrun a Crocodile When Your Shoes Are Untied. Jess is also the author of the playful nonfiction picture book Pink is for Blobfish (Knopf Children’s, 2016). She lives in Ontario, Canada, where she loves writing books for adventurous and funny kids. Visit Jess at jesskeating.com.

You can also find her at these places:





(And you’ll be so glad you did.)


The Story of Diva and Flea + a giveaway


by Mo Willems and Tony DiTerlizzi (Disney Publishing, 2015)

These duos, both Diva and Flea and Mo Willems and Tony DiTerlizzi: true friends.

I love a good young chapter book, and this one is a real treat. Friends in Paris, small animals that shouldn’t be so sweet to one another, ribbons and shaggy hair and flâneur-ing.

From the publisher:

Diva, a small yet brave dog, and Flea, a curious streetwise cat, develop an unexpected friendship in this unforgettable tale of discovery.

For as long as she could remember, Diva lived at 11 avenue Le Play in Paris, France. For as long as he could remember, Flea also lived in Paris, France–but at no fixed address. When Flea flâneurs past Diva’s courtyard one day, their lives are forever changed. Together, Diva and Flea explore and share their very different worlds, as only true friends can do.

I’m so excited to bring you an opportunity to win both a copy of this book and a friendship bracelet kit, because all great pairs need to wrap their love on their wrists. This prize pack is courtesy of Disney Publishing.


Comment below by midnight PST on October 13th, which is The Story of Diva and Flea‘s book birthday, and you’ll be all set to celebrate your very best friend.


Mo Willems, a number one New York Times best-selling author and illustrator, has been awarded a Caldecott Honor on three occasions (for Don’t Let the Pigeon Drive the Bus!, Knuffle Bunny: A Cautionary Tale, and Knuffle Bunny Too: A Case of Mistaken Identity).Don’t Let the Pigeon Drive the Bus! was also an inaugural inductee into the Indies Choice Picture Book Hall of Fame. The celebrated Elephant & Piggie early-reader series has been awarded the Theodor Seuss Geisel Medal on two occasions (for There Is a Bird on Your Head! and Are You Ready to Play Outside?) as well as garnering four Honors (for We Are in a Book!, I Broke My Trunk!, Let’s Go for a Drive! and A Big Guy Took My Ball!).


Tony DiTerlizzi, a number-one New York Times best-selling author and illustrator, created the middle-grade series The Spiderwick Chronicles with Holly Black, which has sold millions of copies, been translated into more than 30 languages and made into a feature film. He won a Caldecott Honor for illustrating The Spider & The Fly, and in 2014 he teamed up with Lucasfilm to retell the original Star Wars trilogy in a picture book featuring artwork by Academy award-winning concept artist, Ralph McQuarrie. He lives in Amherst, Massachusetts with his wife, daughter and dog, Mimi.

Bonne chance!


Giveaway open to US addresses only. Prizing and samples provided by Disney Publishing.

Beyond the Pond + an interview with Joseph Kuefler


by Joseph Kuefler (Balzer + Bray, 2015)

Settle in for snippets of story so goosebumpy you’ll think the pages just paper-sliced your soul in two. It is an honor to introduce you to Joseph Kuefler and his gorgeous debut, Beyond the Pond. I love every single word he’s spilled out to us here.


Can you talk about where this book came from? 


My dearest childhood friend lived across the street from a picturesque pond — one of those charming bodies of water with just the right mix of long grass, cattails and critters. Early mornings almost always found its surface blanketed in a magical fog. In winter months, we would skate on its surface. That pond filled me with such wonder as a boy.

So many years later, the wonder of ponds came back to me when I found myself telling my son, Jonah, stories each morning as I drove him to school. Our route took us past a smaller but no-less-magical pond, sandwiched between a row of houses, almost as if it was forced there, like it didn’t belong. We both imagined what fantastical creatures lived beneath its surface. And so, an idea for a picture book was born.

In hindsight, I absolutely see the connection between these moments of inspiration in my life.

And what was your process like for creating it? How did you turn an idea for a story into a completed picture book?

One advantage of being an author/illustrator is that my words and images can reveal themselves together. I begin with a loose story skeleton and single completed illustration that captures the atmosphere of the book. Small thumbnails get created as I’m improving and iterating on the story. Sometimes a posture or scene in my thumbnails will inspire a change to the text, sometimes it’s the other way around. Once the story is tight, I return to my thumbnails and create much tighter pencils, focusing more on composition and type placement.

Joseph-Kuefler-Cover-Sketch Joseph-Kuefler-Panel-Sketch Joseph-Kuefler-Thumbnails When it comes to final art, I work digitally, more out of necessity than choice. At the moment, picture books aren’t my day job, so I need to work from anywhere and everywhere. I was traveling a lot for work in the early stages of illustrating POND. Much of the book was illustrated from airplane seats and hotel rooms, cramped rides on bus benches and stolen moments in the office.

As someone formally trained at art school, I long for the day I can rely solely on traditional materials. In some ways I still feel like I need to apologize for using a computer, which is silly, I suppose, because digital doesn’t save me time and is no less difficult. The only thing it affords me is more mobility and greater access to my creative process.

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I read on your website all about Hum, and I’m so interested in that. Not so much as a musician myself, but because I think picture books function the same way a song does, as a complete and full narrative that can transcend that small space. What do you think?

I love this question because I absolutely agree. Prior to moving into my career as a creative director, I spent years working as a serious musician playing in an indie rock band. Songwriting and record producing is core to who I am and informs so much of all of my creative processes, both personal and professional.

Writing a great song begins with two questions: What do I want them to know? And how do I want them to feel? Nostalgia? Fear? Melancholy? Vulnerability? Defining the emotional arch predetermines so much about your palette—key, tuning, scale, effects, chord progressions, even mixing decisions. Once that’s defined, you need to reduce all of it, your whole vision, into between three and five minutes of music. It’s such a challenge.

This is true of great books. The books we love tell us a story, but they also tell us feeling. They teach us, adults and children alike, what it feels like to experience something, and they do it in 32 pages, give or take. A songwriter has chords. A picture book maker has paints and pencils. A songwriter has a small collection of seconds or minutes. A picture book maker has pages. Both artists curate their palettes to breathe the right mix of mood into whatever it is they are making.

More than any other mediums I’ve explored, children’s books and songs are the most related.

Like you suggest, great songs and picture books transcend their small spaces. They live on in your mind and heart and come to mean or represent so much more long after the final chord has rung and last page has turned.

Reviews have called this debut reminiscient of Maurice Sendak, Jon Klassen, and Wes Anderson, all huge story heroes. Who are your own story heroes?



I know this is a picture book blog, but my greatest passion is cinema. I love movies and have my whole life. My dad encouraged me to explore the classics, with a particular emphasis on the defining films of the 60s and 70s. Many of my story heroes are filmmakers. I am a huge fan of Jean-Pierre Melville because he found a way to steal the best parts of Hitchcock and blend it with that kind cool only the French possess.

As a child, I loved Spielberg and the wonderful films Amblin would produce because they seemed to understand children in a way few other films did. I do love Wes Anderson for his vision and wit but also for the expert way he handles melancholy. When I begin a new picture book, I typically dive into the films that I feel share a similar atmosphere or message. It’s intentionally obvious I’ve included a few homages to Anderson’s films and style in POND—I wanted to thank him for inspiring me, and I wanted to give moms and dads something of their own to discover within the book.

Animation is also a huge source of inspiration for me. Words can’t describe how much Miyazaki inspires me. His films are somehow massive in scope and incredibly intimate and personal.

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I can’t say that I have any specific story heroes in the picture book space. I love the Steads and Klassen and Jeffers and all of the other usual suspects, but I don’t look to picture books to inform my own work as much as I do film or literature, even photography. I’m not trying to suggest that other picture books don’t influence my work—they most certainly do. They’re just not my primary source and I typically look to them much later in the process to help me work through a very specific problem.

I would, however, be remiss if I didn’t mention JK Rowling. Sometimes I close my eyes and hope that when I open them I will have somehow grown a scar on my forehead and transformed into Harry Potter. Rowling succeeded in revealing a hidden magic in our own world, something tucked away just around the bend, something you hadn’t realized was there all along. I love that so much about those books. Turning a pond into a portal seemed to transform the everyday and reveal a hidden magic in a similar way.

Can you tell us a little about the trailer for Beyond the Pond and how you created it? It’s such a perfect piece, and I always think trailers that feel like short films are some of the best!

Thank you for the compliments. I am a creative director who has spent many years in the branding and marketing industries working for clients we all know and love. Making films and telling their stories is a skill I’ve developed over time. When I began considering my own trailer, I knew it needed to feel a little more like a movie trailer than a “book” trailer. It was the only way I felt I could capture the spirit and scope of the book in such a short period of time.

Some are surprised to learn that the voice actor is me. The trailer simply HAD to be narrated by an old, English gentleman because, well, old, English gentlemen are the most magical of men. I didn’t have any on hand, so I put on my Dumbledore hat and effected one.

I love animating. It’s something I don’t get to do as often now, but I was thrilled to be able to dig back into After Effects for this little piece and am pretty happy with how it turned out, all things considered.

What do you remember about picture books from your childhood?

I remember my school library and, Ms. Geese, the world’s crabbiest librarian (if you’re reading this, Ms. Geese, I’m sorry, but you really were frightening). She demanded that we extract library books from the shelves with such expert precision you’d think they were Fabergé eggs. But since we were all so afraid of her, we would hide away in corners with our books. In some ways, her terror forced us to have a more intimate relationship with our books, and for that I am grateful.

I remember the pictures and wishing I could draw like those artists. Like all boys, I was so in love with WHERE THE WILD THINGS ARE. I would try to replicate the wild things over and over and wondered how in the world anyone could ever draw like that. All these years later, I am still left wondering.

What is your favorite piece of art hanging in your home or studio?


I have two favorite walls in my home. One is a quiet corner of my house filled with family photos and texture studies I made over this last year. The family photos feature some of our favorite memories and experiences. It’s something we will continue to grow and add on to over the years.


The second is a Banksy print hanging in my dining room. It’s big and bold and probably doesn’t belong in a space where people are meant to enjoy meals, but I like that about it.

What’s next for you?

A nap. Honestly. Between my day job, working to support POND’s release, welcoming our third child, Augustine, into the world four months ago, and breathing life into a new picture book, this year has been full, so incredibly, exhaustingly full. But it’s been a good kind of full.

Alessandra Balzer and Balzer + Bray were kind enough to buy two more books from me immediately after we finished POND. By the time this feature runs on your blog, I will have just completed final art for my next book. Then, it will be onto the third. I’m also developing a middle grade book and young reader series.

Beyond that, what’s next is experiencing what it feels like to release my very own picture book into the world. This whole thing continues to be so surreal. One of my lifelong dreams is in a state of becoming, and I couldn’t be happier.


That story about Ms. Geese is one of the greatest library stories I’ve ever heard! Joseph, thanks for the music and the glimpse at the pond and beyond it all.


A big thank you to Joseph Kuefler for the images in this post.

Young Charlotte, Filmmaker

Young Charlotte, Filmmaker by Frank Viiva

by Frank Viva (MoMA Publications, 2015)

So this is a super cool book. It’s part MoMA history, part this funky young visionary’s story. Look at her camera perched by her side! Her confident gaze directly into the reader’s eye! A nearly animated cover where the bittiest blocks of color almost blink!

Young Charlotte, Filmmaker by Frank Viiva

One of the things that I always look for in books for kids are stories that honor their realness. Their hopes and dreams and fears and feelings that sometimes grownups have forgotten all about. Charlotte always carries that slim smile, even when the nun tells her none of that. I’d imagine this isn’t the only place she’s heard that she might be a bit unusual.

Young Charlotte, Filmmaker by Frank Viiva

That’s because Charlotte prefers black and white to color, and when kids have a preference, it’s usually a pretty strong one. Kids don’t generally go around only sort of caring about something.

Young Charlotte, Filmmaker by Frank Viiva

And here’s a beautiful example of that. Charlotte’s safe world is black and white, a stark contrast to that of her parents. To the left of the gutter, a home, and to the right, something unfamiliar and loud.

But her parents know this and they understand.

On Friday nights they take her to see black and white movies. And Charlotte is happy.

And on Sundays, they go to the Museum of Modern Art. And Charlotte is happy.

Young Charlotte, Filmmaker by Frank Viiva

That’s where Charlotte meets Scarlett, an aficionado of black and white too, and how it clears away the clutter. And that’s where Charlotte’s smile returns.

Here’s a kid, wholly in love with something that might seem unconventional. But she has parents who get it, a trip to an art museum that seals it, and a cat who is always willing to play a part.

So that’s what Charlotte does: makes a film in black and white. Scarlet calls it dazzling and genius, but the colorful people?

Young Charlotte, Filmmaker by Frank Viiva

Only that was their reaction at the beginning, before Young Charlotte, Filmmaker had finished telling her story.

Be sure to check out Young Frank, Architect as well. These two are a perfect pair.


PS: Over on Instagram, a bunch of us teamed up to share one book on a particular theme each month. This was Michelle‘s brilliant idea, and we’d love it if you followed along. Check out #littlelitbookseries! Janssen of Everyday Reading shared another favorite Frank Viva book as part of that series, which is the same one that I wrote about once upon a time for Design Mom!

And thanks to Frank Viva for the images in this post!

All the Wonders



All the Wonders

Have you ever read a book and wanted to squeeze every ounce of celebration out of it you could? Talk about it, sing about it, read it over and over, learn about its creator, make stuff?

We did too.

We’re launching soon, but in the meantime watch this space. Or join us on Facebook and Twitter!


Get to know the rest of the team behind All the Wonders:

Danielle Davis + This Picture Book Life

Emily Arrow

Matthew Winner + The Let’s Get Busy Podcast

Blake Hamilton

Mike Ciccotello

Brian Won

We are looking forward to this journey, and hope you will join us for the trip! More soon.



Rabbit Seeds

Rabbit Seeds by Bijou Le Tord

by Bijou Le Tord (Four Winds Press, 1984)

Did you know I am a school librarian? I’m in my third year, at my second school, and have done it for about a decade with a break for graphics in between. Hashtag old.

And speaking of old, that’s what my current school is. That’s great for things like traditions and history, but it’s really great for things like stories. I’ve had a bit of a triage situation on my hands, and the thing that has taken the biggest chunk of time is massive weeding and collection development. (And undoing the work of the packiest rat that ever packed.)

I’ve been brutal in nonfiction and biographies because poor old Pluto has had better days and a 1970 biography of Peggy Fleming isn’t triple-lutz-ing off the shelves. But then there are picture books. And I haven’t tossed a single one. I need to, for reasons of both space and sanity. But when your library is old, there’s a lot that sparkles under all that dust. And I want to be careful because of things like early, early editions of the Nutshell Library.

Here’s one I found that I’d never heard of before, and wow. If you can get your hands on a copy, it would be a great pair with The Little Gardener.

Rabbit Seeds by Bijou Le Tord Rabbit Seeds by Bijou Le Tord

This is the story of a rabbit, a gentle, shaky, line of a thing.

And it’s the story of his garden. He bids adieu to the snow and ice, and welcomes the warming sun.

These beginning spreads are so simple, so uncluttered, so spare. Those black lines on white, framed by spring’s pastels.

And the words! So unfussy. So beautiful.

Rabbit Seeds by Bijou Le Tord

When the day cools, he waters his seeds. The sun and the earth begin their work.

Rabbit Seeds by Bijou Le Tord

He patiently waits, and watches for a first ripple or a crack on the ground.

Rabbit Seeds by Bijou Le Tord

He patiently sits, until the first seedlings shoot up.

That last spread has a surprising detail, one that fits perfectly into the rabbit’s world but one that is unusual for this particular sequence of images: that star. The sun has been a small circle, hovering over the garden, doing its work. But while the rabbit waits, a star. It must be night. He’s taken his picnic basket and he’s patiently sat, and when the sun dropped, the star showed up.

The seasons take over, as they do, and soon it’s time to welcome back winter. The last time we see the rabbit, he is happy. His work is done.

This rabbit and his work are both sweet and slow and dear, and this book is a quiet little wonder.